Noah Berlatsky

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Death of a Unicorn is an Unconvincing Hybrid 10 days ago

Steven Soderbergh’s Black Bag is an Exuberant Spy Thriller 21 days ago

Scarface is a By-the-Numbers Crime Drama 23 days ago

Mickey 17’s Bleak Vision Isn’t Bleak Enough a month ago

Blow Out and Making Bad Movies a month ago

De Palma Fails to Fail in The Fury 2 months ago

Obsession, Vertigo, and Perverse Homage 2 months ago

De Palma Doubles Hitchcock in Sisters 2 months ago

The Beast Misses Henry James’ Point 4 months ago

Fiddlers From All Over the World Unite 5 months ago

Killer Heat Figures Out Noir Without the Misogyny 6 months ago

Booger Shows Grief is a Small-Budget Emotion 7 months ago

The First Super-Reynolds 7 months ago

Twenty-Five Years Later, The Sixth Sense Still Feels Glib 8 months ago

Louis in London Reaffirms Louis Armstrong’s Greatness 9 months ago

North By Northwest Says You Are the Supercool Spy 9 months ago

The Kids Are All Right Makes the Case for Women-Led Movies 10 months ago

Winter’s Bone Is a Mafia Film From the Perspective of Women 10 months ago

An Education is About How Patriarchy Makes Ambitious Women Vulnerable 10 months ago

Female Empowerment Via War Movie 10 months ago

Women, Like Men, Should Get Oscar Nominations for Mediocre Movies 10 months ago

Translating the Male Mid-Life Crisis Movie a year ago

The Piano and Women’s Strange Voice a year ago

The Woman Director and the Male Muse in The Prince of Tides a year ago

Awakenings and the Female Director as Nurse a year ago

Children of a Lesser God is About Defeating Prejudice—And Being Defeated By It a year ago

Shaun of the Dead Staggers on in the Current Zombie Apocalypse a year ago

Irish Wish Is the Fake Romance Everyone Wants a year ago

Why Edge of Tomorrow is the Only Good Tom Cruise Movie a year ago

In Damsel, the Bloody Anti-Cinderella Genre Goes Mainstream a year ago

In Mr. and Mrs. Smith, the Superspies Aren’t So Super a year ago

Upgraded Flies Into the Romance of Class a year ago

Relax, Man 2 years ago

The Ugly Rock of Hound Dog Taylor 2 years ago

Forest Bees Makes Anti-Shoegaze For People With Bodies 2 years ago

Nothing Much Happens in Showing Up 2 years ago

Kill Boksoon Will Stab You In the Heart 2 years ago

2001: A Space Bureaucracy 2 years ago

Wild Things Trashes Patriarchy 2 years ago

The Wedding in the Corn 2 years ago

Stakes is High Ages Well 2 years ago

Jonathan Chait Tries to Be Both Anti-DeSantis and Anti-Trans 2 years ago

To Leslie is Exactly the Kind of Film That Wins Oscars 2 years ago

Måneskin Is 2023 Hair Metal 2 years ago

Paul’s Small 2 years ago

Patricia Brennan’s More Touch Is a Vibraphone Album for Vibraphone Skeptics 2 years ago

Somebody I Used to Know Is an Anti-Romcom Romcom 2 years ago

Pamela Anderson Survives 2 years ago

Julia Sabra & Fadi Tabbal Make Paralyzed Pop for a Paralyzed World 2 years ago

12 Gauge Romance 2 years ago

The Nanny Watches Capitalism Drown Everyone 2 years ago

Yotzeret Sheydim Makes Uncategorizable Jewish Noise 2 years ago

Concrete Blonde’s Greatest Album 2 years ago

M3GAN Welcomes Our (Adorable) Robot Overlords 2 years ago

A Memoir of Failure 2 years ago

Chris Whitley’s Stark Blues Masterpiece 2 years ago

Louis Armstrong Was More Than a Smile 2 years ago

March On, Martin 2 years ago

Puppies in the Sun Make Cosmic Ambient Noise for Everyone 3 years ago

Noise Music In Heaven and Hell 3 years ago

Onom Agemo and the Disco Jumpers Groove On Over to Mali 3 years ago

What’s the Worst Movie of the 2022 So Far? 3 years ago

Katie Alice Greer Makes Anti-Pop for Pop Kids, and Vice Versa 3 years ago

S.G. Goodman Takes Kentucky Everywhere 3 years ago

Mandy Moore Is Still Singing 3 years ago

Wellswood Is a Bleak Album for a Bleak Time 3 years ago

Rediscovering a Venezuelan Electronica Pioneer 3 years ago

The Thomas Hardy Poem That Explains Negative Partisanship 3 years ago

Wallace Stevens and the Colonial Snowman That’s There 3 years ago

Mother/Android Isn’t Ready for Revolution 3 years ago

The Last Horror Movie That Scared Me 3 years ago

The Greatest (Obscure) Geek Soul Jazz Album 3 years ago

The Female Vampire Watches You 3 years ago

Confused By John Ashbery 3 years ago

Halloween Kills Doesn’t Have the Stomach to Kill the Slasher 3 years ago

Portal Finds the Wasteland Where Noise Meets Metal 3 years ago

Bug Frames 4 years ago

A Capitulation to the Zeitgeist 4 years ago

Kandisha Won’t Stab the Patriarchy 4 years ago

Chicago Was Right to Change Lake Shore Drive to Du Sable Drive 4 years ago

**Steven Soderbergh’s Black Bag is an Exuberant Spy Thriller** 21 days ago

**Twenty-Five Years Later, The Sixth Sense Still Feels Glib** 8 months ago

**Why Edge of Tomorrow is the Only Good Tom Cruise Movie** a year ago

**In Damsel, the Bloody Anti-Cinderella Genre Goes Mainstream** a year ago

**Patricia Brennan’s More Touch Is a Vibraphone Album for Vibraphone Skeptics** 2 years ago

**Aleksandra Lun’s The Palimpsests Says New Things Again** 5 years ago

**In Praise of Stranger Things’ Steve Harrington** 6 years ago