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Frances (1982), the first in a series of forgotten Oscar movies.
A Private Life is held together by Jodie Foster’s excellent performance.
Did I just spend a year shooting a TV movie with Brad Pitt?
The Outfit (1973) is an audacious and violent crime film by John Flynn from Richard Stark's novel.
Sex, Lies, and Videotape and the career Soderbergh didn’t pursue.
Is This Thing On? is refreshingly modest and even-keeled.
28 Years Later: The Bone Temple is a step-up from last year's sequel.
And neither is Paul Dano, Owen Wilson, or Matthew Lillard.
King Vidor's Our Daily Bread (1934) rejects Randian Objectivism in favor of building a new, better world.
Michel Franco’s immigration drama is only successful in raising questions it has no means of answering.
Marty Supreme, Josh Safdie’s follow-up to Uncut Gems, is a remarkable disappointment.
The Housemaid is fine American trash cinema, in line with It Ends With Us.
The stylized mystery A Private Life is more interested in the nature of death than the method of murder.
The independent drama Nowhere is an atmospheric road film with a career-best performance from John Magaro.
That’s the main draw.
Anaconda’s attempt to satirize Hollywood’s creative ineptitude is less successful than its old-fashioned humor.
Hollywood’s stopped trusting audiences.
Locked is impressively light on its feet for a thriller with such a thin premise.
And what we’ve lost.
The unusual biopic Song Sung Blue is honest about show business in a way that’s sappy and revealing.
Neil Diamond would be proud.
The director of Exotica talks about Ingmar Bergman, Michael Haneke, Pier Paolo Pasolini, and more.
The actress talks about Marty Supreme, returning to acting, Goop, and more in this new interview.
Roger Ebert says that "Political correctness is the fascism of the 1990s."
The filmmakers behind Marty Supreme and Hamnet talk about their work in this conversation produced by Variety.
The late director talks about 1979's Family Nest in this interview produced by the Criterion Collection in 2024.
The filmmaker talks to Matt Neglia about Marty Supreme and more in this new interview.
The filmmaker talks about interviewing Louis Armstrong and Anne Bancroft in high school, getting coffee for Edward R. Murrow, and his new film Ella McCay.
The director talks about Dead Man's Wire, studio politics, and what it takes to survive in Hollywood.
The writer-director-producer talks about his new film Ella McCay with Ted Danson and Woody Harrelson.