The quiet power of Marie Atlan and her 2018 film Daniel.
There’s no escape.
Digger is a bloated, smug, hopelessly out-of-touch bore.
Revisiting Woody Allen’s remarkable post-divorce run, beginning with Manhattan Murder Mystery and Bullets Over Broadway.
Primetime is a humorless and very strange take on Chris Hansen.
Verity isn’t much better than most other Colleen Hoover adaptations.
The film knows why we hate.
Voicemails from Isabelle is highly watchable and could’ve played in theaters, which isn’t something that could be said of a lot of Netflix originals.
Highlights and disappointments from this year's New York Film Festival.
The evolution of Lang's obsessions and preoccupations through his career in Germany and Hollywood.
The good guys aren’t.
Heart of the Beast isn't exactly innovative, but it achieves exactly what it sets out to do.
Do men in the film The Bat (1959) carry symbolic rabies?
The genre has room enough for range these days.
Why the laughs dried up in movie theaters.
Better to be poisoned than married.
Seduced by Stanwyck and her dice.
Maybe the darkest noir is the noir that lies to you.
The guy is evil, but the film hates the woman anyway.
Three bad predictions and a foreboding.
A forgotten comedy of great charm.
The popular English film critic on the new film by Alejandro G. Iñárritu.
Don Goodman's 1966 UCLA student film.
The late filmmaker talks about the arduous production of his 1978 masterpiece in this April 16, 2007 interview.
The Elizabeth Holmes documentary, directed by Nathan Fielder and Lance Oppenheim, is in theaters October 16.
An obscure adaptation of Jim Thompson's novel starring Fat City almuni Stacy Keach and Susan Tyrrell.
The living legend talks Spike Lee, Robert Altman, Jean-Luc Godard, and more.
The late actress talks about A Bug's Life nearly 30 years ago in Hollywood.
The late filmmaker talks about AFI, the role of intuition in directing, his early influences, and more.
The late actor talks to Bobbie Wygant about his 1979 Western comedy directed by Robert Aldrich.