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Music
Jul 03, 2008, 12:35PM

You Don't Know What These Songs Mean

Some of the most popular, or at least most listened to, songs of the past 40 years have been repeatedly misused, abused, and confused. Here the record is set straight on John Mellencamp's politics, Mick Jagger's attraction to David Bowie, and Phil Collins's creepiness.

6. "Summer of '69" Bryan Adams

Some people speculate that Adams may be singing about, um, something else. Here's a hint, complete this sentence ... "Wine me, dine me, __ me." Still not getting it? Fine, some people think he may be singing about oral sex. Just what we like to think about when it comes to Bryan Adams.

And as you'll notice in a few of the songs on this list, the dirty, double meaning that sounds like it was thought up by a horny 12-year-old often turns out to be true. In an online interview, Adams said: "One thing people never got was that the song isn't about the year 1969. It's about making love, a la '69!" A la '69? What a dork. Then there's the interview with the Binghampton Press & Sun Bulletin where Adams confirmed "the title comes from the idea of '69 as a metaphor for sex," confirming he has both a child's sense of humor and understanding of metaphors. Anyway, coming from the source itself, that seems pretty convincing.

3. "American Girl" Tom Petty

"American Girl," the first single from Tom Petty and the Heartbreakers' debut album, features the kind of enigmatic lyrics that send fans into fits searching for meaning. Apparently, Tom Petty fans are a morose bunch. According to an extremely popular story, Petty wrote the song about a University of Florida student who jumped to her death from the balcony of her dorm room.

In his words, the story is an "urban legend" and was actually written while he was living in Encino, CA. The 441 in question refers to an expressway that ran outside the apartment he lived in at the time. And unlike the Jagger song, Petty has no reason whatsoever to lie since it pretty much makes the lyrics less cool than people want to believe they are.
But if it's any consolation, "Mary Jane's Last Dance" is totally about weed.

1. "Our Country" John Mellencamp

While there's plenty of room for confusion in the lyrics, there is one thing most everyone can agree on. Those fucking Chevy commercials need to stop. Since approximately week three of the 2006 season, NFL fans nationwide have entered into each and every commercial break paralyzed by the fear that, at some point during the break in action, the words "The dream is still alive" will act as the harbinger that signals the beginning of the 30 least pleasurable seconds of their Sunday football watching experience. The least pleasurable, that is, until the whole experience is repeated 15 more times throughout the game. And the game after that.

That's right, our country is basically an idealistic American version of John Lennon's "Imagine." Of course Chevy chose not to include all that "end poverty, help the poor" business that reads like an endorsement of the welfare state.
We're not sure whether or not to blame Mellencamp for letting Chevy take the song out of context. Maybe he was being subversive, letting them use the song for an ad campaign aimed at the people who would most hate its real message. If so then it's being subversive in a way that makes him approximately three bajillion dollars in endorsement money. Which in itself is perhaps a meta-statement about the state of American popular culture as a means of protest. Or maybe he just really likes money.

Discussion
  • "Angie" used to be one of my favorite Stones songs. With that image of Bowie and Jagger, I don't know if I'll be able to listen to it the same way ever again. Thanks.

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  • A dumb article. Who cares what ANY Phil Collins song is about? Same with Fleetwood Mac, John Mellencamp and Bryan Adams. And there are plenty of Stones' songs more beloved than "Angie" or Wild Horses," like "Gimme Shelter" or "Salt of the Earth," to cite just two obvious ones.

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  • I guess it's different for an old-timer like me. You're 23, so you weren't around when the Stones were in their prime, when their music and that of their contemporaries was a major part of life. When you live your life with these songs, and then you hear some new interpretation like this one, it's pretty shocking.

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  • I like the comment about tom petty - he certainly made the song more boring. Oh, and where's "99 Luftballoons?"

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  • But Mort, those stories about Jagger and Bowie were out, from books I've read, not too long after "Angie" was released. I'm sure they were fodder for "Page Six" and all the gossip columns, not to mention Rolling Stone, at the time. Maybe you ignored all that.

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  • Must have missed it the first time around. Never really followed celebrity gossip. For me it was (and still is) about the music.

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