For a glib, snarky column, this is still kind of depressing:
At one point last week, AC/DC's Black Ice was outselling its nearest competitor, Kaiser Chiefs' Off With Their Heads, by two to one, despite the fact that they declined to release it as a digital download, preferring vinyl and CD.
Those keen to draw wider inferences from its success might note that the last time AC/DC made No 1 in Britain, the country was on the brink of recession. Back In Black, the album that marked their commercial breakthrough and went on to become the second biggest-selling of all time, was released in 1980, just as inflation had reached 20% and unemployment inched towards 2 million.
When the economy recovered, AC/DC's popularity receded, albeit becoming merely immense instead of phenomenal: their "flop" 1985 album, Fly On The Wall, still sold more than 1m copies, a not unimpressive figure, but a fraction of Back In Black's 30m sales or the 5m copies that Black Ice sold in the last seven days.
But right on cue the album that returned the band to its heyday was The Razors Edge, released in 1990 - just as Britain headed towards its last recession.