Getting creative after a lag in the editing process of SATUR-19.
Back to Black isn’t the disaster that its detractors claim.
Finding comfort in movies like 1990s movies like Michael in a time when films don't breathe.
The Last Stop in Yuma County is a lean, enjoyable directorial debut by Francis Galluppi.
Lost in Translation and the "male mid-life crisis movie."
Kingdom of the Planet of the Apes is a sluggish CGI setup to the (hopefully) more exciting sequels.
Da Boss discovers opacity filters and other “neat-o” tricks he still thinks count as “cheating.”
Evil Does Not Exist is a beautiful film.
Re-release every 1999 American classic and keep Hollywood on life support for another year.
Crimson Tide (1995) is the product of a healthy industry, while Top Gun: Maverick (2022) shows how anemic Hollywood has become.
Jane Campion speaks, and doesn’t, through her main character.
Planet of the Apes is the greatest franchise in Hollywood history.
A show that makes no sense—but lots of dollars.
In his prime, Gen-X comedy icon Odenkirk avoided easy laughs and cheap cliches like the plague.
The prescience of John Carpenter’s 1988 film They Live.
Thoughts on Pinball: the Man Who Saved The Game and Special When Lit.
Ten films reveal how not to end fights.
Julie Wassmer’s Whitstable Pearl mysteries, and the town that lies behind them.
While Capote vs. The Swans gets a prime time slot the real feud remains untouched.
Darkness, quakes, and The Beast.
The reflection of Chantal Akerman in Andrew Bujalski's filmmaking.
Francis Ford Coppola, Adam Driver, Giancarlo Esposito, and others talk about their new wildly polarizing film.
Francis Ford Coppola talks about Apocalypse Now with his family.
The late film icon talks to Letterman about his work at AIP, New World Pictures, and more.
The critic says Kingdom "feels like you're watching a prequel" to the next two films in this new trilogy.
Dad and daughter talk about War and Peace, Children of Paradise, 3 Women, Frances Ha, and more.
A documentary about the makeup artists of Planet of the Apes.
The composer's widow and Sam Peckinpah's longtime assistant remember both Fielding and the filmmaker.
This sexploitation film features a rare, early performance by Monica Gayle.